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In fact, the sarcophagus has two defining motifs: the figure of Christ and the symbol of the Gammadion.

This artifact is the arch-important proof of two foundations of the true, early Christianity: (1) the Gammadion is the main symbol of Christ; (2) Gammadion is the only form of the cross for the early, true Christians.

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———- Gammadion, as the Swastika-Rodovik, in the Christian Orthodox Church in Palestine. ———- Cristian Orthodox Church, Palestine (now “Shavey Zion (Shavei Zion, Shave Zion”, south of Nahariya, 485/6 AD, with the second stage of building in the 6th century. But I also clearly realize that Russians would never defend their right to the Urals, Siberia and the Far East, if they would not prove that the Swastika artifacts in the graves of our ancestors from ocean to ocean belong precisely to us, Russians.

———- Cristian Orthodox Church, Palestine (now “Shavey Zion (Shavei Zion, Shave Zion”, south of Nahariya, 485/6 AD, with the second stage of building in the 6th century. Moreover, I can say, with full confidence, that the Nazi scenario of the civil war in Ukraine was made possible only because the Russian people, who mistakingly call themselves “Ukrainians,” (literally — “those near the edge / “u kraia”) do not realize that they belong to the one great nation from ocean to ocean, what is proven precisely by the Swastika artifacts in the graves of our ancestors from the Little Russia (now “Ukraine”) to the Far East and Alaska.

———- Gammadion on the ruins of the Christian Orthodox Churches in the Golan Archeological Museum of Katsrin. We, the Russian Orthodox, can no longer afford to give the Gammadion away to the Neo-pagans.

———- Gammadion on the ruins of the Christian Orthodox Churches in the Golan Archeological Museum of Katsrin. Gammadion / Swastika (clockwise) is in the frame of the ornament. We also can no longer remain silent when psychopaths and criminals defile and discredit our most sacred symbols over and over again.

Christ is the central figure of each scene on all four sides of the sarcophagus.

And each side of the sarcophagus is framed with a strip consisting of Gammadia (multiple images of the Gammadion).

The aim is to theoretically delineate a new model of feminine social identity and to bring sociological and theological arguments in favor of the points of view.

Marble sarcophagus from Verona from the Crypt of San Giovanni in Valle of the 4th century AD from the collection of the Roman-Germanic Central Museum in Mainz, Germany, is dedicated to the important, symbolic moments in the life of Christ.

———- Gammadion in the mosaic on the floor of the Christian Orthodox Church of the Nativity, the times of the Empress Helena, Bethlehem, the Roman Empire / Byzantium, the West Bank, Palestine, 4th century AD.

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